![]() Yet before the pandemic struck the United States, the movie business was in the midst of major changes already, ones that struck independent and international films particularly hard. This year’s edition of the Cannes Film Festival, which had been scheduled for May, has been postponed and will almost surely be cancelled. Film festivals, which are crucial launching pads for most movies of artistic merit, may have trouble returning, not only because they involve large numbers of people gathering in theatres but because many attendees must travel to attend them. Bob Iger, to help deal with the current crisis and face the industry’s potentially long-term changes. ![]() AMC, which owns six hundred and thirty theatres in the U.S., is currently at risk of bankruptcy, while Disney, a business that depends mainly on public assemblies, from movie theatres to theme parks and cruises, recently brought back from retirement its longtime C.E.O. have been closed for four weeks, and, even with widespread talk of reopening the economy, it’s hard to imagine viewers gathering in close proximity in movie theatres again until a COVID-19 vaccine becomes widely available. The changes that the cinematic ecosystem is going through as a result of the coronavirus are shaking the very core of the movie industry. ![]() As the coronavirus closes cinemas and film festivals, the obscurity of undiscovered movies grows ever deeper.
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